Audio Chronicle
Audio Chronicle
Audio Chronicle

Audio-Technica ATH-M50x: The Ubiquitous Studio Headphones

Audio-Technica ATH-M50x: The Ubiquitous Studio Headphones

You’ve seen them. You’ve probably used them.

Marvin Cavanaugh
Marvin Cavanaugh
Marvin Cavanaugh

Written by Marvin Cavanaugh

Audio-Technica ATH-M50x
Audio-Technica ATH-M50x
Audio-Technica ATH-M50x

The Audio-Technica ATH-M50x are basically the default answer when someone asks, “What headphones should I get for my home studio?” Not because they’re perfect — but because they’re good enough, affordable, and everywhere.

They deliver a tight, punchy low end, slightly hyped highs, and a midrange that’s... fine. Not flat. Not wildly colored either. Just fine. They’re closed-back, so they isolate reasonably well, and they don’t leak much unless you're cranking them past healthy levels.

The build is rugged enough to survive backpacks and bad decisions. The ear pads could be more luxurious, but that’s fixable with third-party replacements (which are cheap and widely available). They fold up. They come with multiple cables. They do the job.

Are they reference-grade? No. But they’re consistent, familiar, and will tell you most of what you need to know about your mix before you send it off for mastering or ruin it with reverb.

Pros:

  • Affordable and widely trusted

  • Good isolation for closed-back cans

  • Replaceable parts and cables

  • Reliable sound for tracking or general use

Cons:

  • Slightly hyped highs

  • Pads can get uncomfortable over time

  • Not fully neutral for critical mixing

Verdict:
The ATH-M50x are like studio coffee mugs: everyone’s got one, no one’s super passionate about them, but they’re always in use. There’s a reason they’ve stuck around.

Marvin Cavanaugh
Marvin Cavanaugh
Marvin Cavanaugh

Written by Marvin Cavanaugh

Marvin Cavanaugh is a veteran music journalist with a background in contemporary music performance from Berklee College of Music. Based in Nashville, he covers the gear, technology, and creative tools shaping modern sound. When he's not writing for Audio Chronicle, he’s usually tweaking pedal chains or crate-digging at local record shops.

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©2025 Audio Chronicle

From Nashville with ♥

©2025 Audio Chronicle

From Nashville with ♥

©2025 Audio Chronicle

Marvin Cavanaugh

Written by Marvin Cavanaugh

Marvin Cavanaugh is a veteran music journalist with a background in contemporary music performance from Berklee College of Music. Based in Nashville, he covers the gear, technology, and creative tools shaping modern sound. When he's not writing for Audio Chronicle, he’s usually tweaking pedal chains or crate-digging at local record shops.