Insights

I Vanished Into Tokyo’s Karaoke Underworld — And Crawled Back a Different Person

A Midnight Descent into Neon, Noise, and Necessary Catharsis.

By

Jude Harper

I Vanished Into Tokyo’s Karaoke Underworld — And Crawled Back a Different Person

A Midnight Descent into Neon, Noise, and Necessary Catharsis.

By

Jude Harper

I Vanished Into Tokyo’s Karaoke Underworld — And Crawled Back a Different Person

A Midnight Descent into Neon, Noise, and Necessary Catharsis.

By

Jude Harper

Sabotage, Sweet Sabotage: The Beautiful Stupidity of Blowing It On Purpose

Musicians don’t always crack under pressure — sometimes they dive headfirst into it, just to feel something real.

By

Silas Reed

Sabotage, Sweet Sabotage: The Beautiful Stupidity of Blowing It On Purpose

Musicians don’t always crack under pressure — sometimes they dive headfirst into it, just to feel something real.

By

Silas Reed

Sabotage, Sweet Sabotage: The Beautiful Stupidity of Blowing It On Purpose

Musicians don’t always crack under pressure — sometimes they dive headfirst into it, just to feel something real.

By

Silas Reed

Your Brain on Music Isn’t What You Think

You’re not reacting to sound. You’re reacting to memory, mood, hormones, and thousands of years of evolutionary improv.

By

Nico Delray

Your Brain on Music Isn’t What You Think

You’re not reacting to sound. You’re reacting to memory, mood, hormones, and thousands of years of evolutionary improv.

By

Nico Delray

Your Brain on Music Isn’t What You Think

You’re not reacting to sound. You’re reacting to memory, mood, hormones, and thousands of years of evolutionary improv.

By

Nico Delray

Am I a Musician or a Gear Collector?

Why your growing gear collection might be killing your creative flow — and how to get back to actually making music.

By

Marvin Cavanaugh

Am I a Musician or a Gear Collector?

Why your growing gear collection might be killing your creative flow — and how to get back to actually making music.

By

Marvin Cavanaugh

Am I a Musician or a Gear Collector?

Why your growing gear collection might be killing your creative flow — and how to get back to actually making music.

By

Marvin Cavanaugh